Analyze Orwell's argument in "Politics and the English Language" that unclear, dishonest prose enables unclear and dishonest thinking, and apply his rules to revise vague writing.
George Orwell's 1946 essay "Politics and the English Language" makes an argument this course has been building toward all year without naming it directly: that style and substance cannot actually be separated, because vague, cluttered, euphemistic language is not simply ugly, it is how dishonest or lazy thinking hides from scrutiny, including the writer's own. Orwell's prime example is political language that dresses up brutal realities in bloodless abstraction, calling the killing of civilians "pacification" or forced relocation "transfer of population" -- phrasing engineered specifically to prevent a reader, or the writer, from picturing what is actually being described.
Orwell closes the essay with concrete, famously quotable rules, several of which this course has already taught under different names: never use a long word where a short one will do, never use the passive voice where the active is available, and if it is possible to cut a word, always cut it. His larger claim is what elevates the essay beyond a style guide: "the great enemy of clear language is insincerity," and a writer who is being honest with themselves about what they actually mean will naturally reach for plain, precise words, while evasive thinking reliably produces evasive prose. Revising for clarity, on this argument, is also a form of revising for honesty.
Mastery looks like: They can explain Orwell's central claim connecting clear language to honest thought and can apply at least two of his concrete rules to revise a vague or euphemistic sentence.
Common stumbles: Treating this essay as simply a style guide with no larger argument attached; assuming all euphemism is equally dishonest rather than distinguishing kind, legitimate softening from evasive, accountability-avoiding language.
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