Tenth Grade · Reading · week 8

Writing the Literary Analysis Essay I: Drafting on Antigone

Draft a complete literary analysis essay on Antigone with a specific thesis, evidence-based body paragraphs, and a conclusion that extends rather than merely repeats the thesis.

This week converts five weeks of discussion into one sustained piece of writing, using the introduction structure from Week 3 and the CEA paragraph structure from Week 2 at essay scale. A full literary analysis essay needs a thesis (Week 3's skill), at least two body paragraphs that each open with a topic sentence advancing a distinct piece of the argument, embed specific textual evidence, and close with analysis explaining that evidence -- and a conclusion that does more than restate the introduction in different words.

Choosing a strong, specific topic matters more than students often expect: "Is Creon or Antigone the play's true tragic hero?" (Week 6) and "What does the play ultimately argue about certainty and its cost?" (Week 7) are both strong options because they demand evidence and allow real disagreement. A topic like "what happens in Antigone" is not a topic at all -- it is a summary prompt wearing an essay's clothes, and no thesis can rescue it.

📋 For the teacher
Teach it (10–15 min):
  • Have your student outline the full essay -- thesis, each topic sentence, each planned piece of evidence -- on a single page before drafting a single full paragraph; catching a weak topic sentence in outline form saves real revision time later.
  • Check that each body paragraph argues something the previous one did not already cover -- restating the thesis with new words in paragraph two is a common trap once a thesis feels settled.
  • Word study/grammar in context: model varying sentence openings across a paragraph (not every sentence starting with the subject) -- read a drafted paragraph aloud and listen for a monotonous rhythm as a revision cue.
  • Treat this as a full first draft, not a finished essay -- flag it now for a dedicated revision pass later in the year (Week 36 mirrors this structure for the final essay) rather than demanding polish on the first attempt.
Talk about it:
  • Which was harder this week: finding strong evidence, or organizing it into paragraphs that each argue something distinct?
  • Read your own conclusion back. Does it add anything your introduction did not already say?
  • If you had a fourth body paragraph to add, what unexplored piece of evidence would it cover?

Mastery looks like: They can draft a full literary analysis essay with a specific thesis, body paragraphs that each advance a distinct point with embedded evidence and analysis, and a conclusion that extends beyond simple repetition.

Common stumbles: Choosing a summary question instead of an arguable one as the essay's topic; writing a conclusion that merely restates the thesis in slightly different words.

See it visually

Interactive, spoken-aloud tools that show this idea in motion.

Homework for this lessonType it, write it with a stylus, or print it for pencil & paper.open →
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